Even if not always convincing, the plotting exerts a sure grip, commanding the imagination well past the final page. The climactic scene, in which the boys kidnap Lani and Claire and take them to the docks, crackles with suspense. Plum-Ucci's talent is such that readers will share rather than dismiss Claire's curiosity. When an orderly tells her about androgynous "floating angels," spiritual beings that help people in need, the discussion plants a question in Claire's mind, and as odd events continue, she skates close to asking if Lani might be one of those angels. They bond, a bit quickly, as he helps her face her "hidden garbage," (among other things, her recent ill health is due to an eating disorder). When Lani finds her fainting, he pries her secrets out of her, then takes her to a hospital where she can get tested without parental consent. Claire has been hiding much of her identity, too: she conceals her electric guitar and the bloody lyrics she writes, and she doesn't tell her friends or her alcoholic mother that she suspects her leukemia has returned. She has been a resident of Absecon, New Jersey. When Lani shows up on Hackett Island, neither Claire nor her cheerleader friends can tell if Lani is male or female (Asked if he's a girl, he says, "Oh! No. Plum-Ucci retired in 1999, two months after receiving her first advance on royalties from The Body of Christopher Creed from Harcourtthe first novel she sold.
Claire McKenzie, narrator of this taut, provocative novel, wonders not only "what happened to Lani Garver" but about who-and what-Lani is.
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